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Robyn Hunt, above, directs and stars in 'Flight,' a production about women pioneers in the early years of air travel being staged at MCLA this weekend with professional and student actors. Admission is free.

MCLA's Venable Hall Takes 'Flight' into Aviation History

By Alan PetrucelliSpecial to iBerkshires
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NORTH ADAMS, Mass. — Say the name Amelia Earhart and just about everyone knows who you are talking about. Mention six other women — Harriet Quimby, Bessie Coleman, Raymonde de Laroche, Blanche Stuart Scott, Katherine Stinson and Matilde Moisant — and their names (and fame) flies out of your mind.
 
These women were unsung fliers, so important as pioneers in the history of aviation that they took to the skies in the teens and early 1920s before Earhart even stepped foot in her bright red Lockheed Vega 5.
 
Now these women are about to take "Flight."
 
Of sorts.
 
Mosaic at Massachusetts College of Liberal Arts will present "Flight" at 7:30 p.m., Friday, Oct. 23, and Saturday, Oct. 24, and at 2 p.m. Sunday, Oct. 25, in Venable Hall on the MCLA campus. The event is free.
 
The original drama "Flight," part of a trilogy alongside "Gravity" and "Balance," is conceived by Steve Pearson and written and directed by Robyn Hunt, partners in the artistic/acting studio Pacific Performance Project/East located in East Sandwich. Hunt and Pearson prefer to call "Flight" a "theatrical poem."
 
"When we were doing research, some books didn't even list those women," said Hunt. "They went right to the Wright Brothers. That's when we knew their story needed to be told."
 
And so Pearson, who has always had an interest in flying, decided to write it.
 
"During World War I, a woman developed the first flying ambulance," he explained. "There were other women who flew the mail. But this first generation of women before World War I was just lost to history. One of the reasons they are forgotten is because of the simple reason they were women. Do we remember women used to wear corsets?"
 
"Flight" is also loosely based on "The Seagull," the seminal work of Anton Chekov — Pearson calls it a "riff" — making the story more intricate and interesting. ("Balance and "Gravity" refer, respectively, to Chekov's "The Three Sisters" and "The Cherry Orchard.") 
 
Using aerial techniques, music and drama, "Flight" brings to life the story of two young fictional French actresses in 1913, "a time when being an actress was considered improper and being an aviator was considered impossible," said Hunt. 
 
A ground-breaking woman filmmaker, based on Alice Guy-Blaché and whom many credit as the first filmmaker to create a narrative motion picture (and in the play portrayed by Hunt, here named Alisse), is also a character.
 
"Flight" takes the audience into an airline hangar in which the women assemble an actual plane on stage in preparation for a trailblazing flight from Paris to Moscow. Over the course of the play, the actors actually (re)assemble a 3/4-scale replica of an early monoplane, the Bleriot XI, that, in 1909, was the first plane to cross the English Channel. 
 
Trailblazing Harriet Quimby (one of the inspirations for the play), used the same plane to become the first woman to fly across the Channel in 1912.
 
Sounds like a drama soaring into new dimensions. 
 
"These women were doing something that everybody thought they shouldn't do," Pearson explained. "And, on top of battling what society said, they had to come to a decision on whether or not to take a chance on something that was dangerous for everyone. It's extremely risky to fly this little wooden plane that is really light and can be blown anywhere. But they said, 'Well, why shouldn't we?'"
 
Take "Flight" and find out.
 
Upcoming productions at MCLA include: 
 
• "Everybody," a reimagining of the medieval morality play "Everyman" by playwright Branden Jacobs-Jenkins from Dec. 4 through 6.
 
• "Moments from the Studio: Fall Acting Showcase" on Friday, Dec. 11, at 7 p.m. Part performance and part glimpse into the actor's creative process, Moments from the Studio brings classroom exploration to the stage.
 
• "The 39 Steps," adapted by Patrick Barlow from the novel by John Buchan and the film by Alfred Hitchcock, from April 16-18, 2027.
 
• Staged Reading Festival, a weekend celebrating plays, playwrights, and the power of stories brought to life on stage. from April 30 to May 2, 2027
 
• "Moments from the Studio: Spring Acting Showcase" on Friday, May 7, 2027, at 7 p.m.
 
More information about these and other productions here. 

 


Tags: MCLA,   plays,   

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Urban Legends and Cryptids Come Alive as North Adams Prepares for Mohawk Theater Haunted House

By Breanna SteeleiBerkshires Staff

NORTH ADAMS, Mass. — A spooky and scary night at the Mohawk Theater is approaching fast after local officials decorated it for their annual haunted house.

For the third year in a row the police department, fire department, City Hall, Northern Berkshire EMS, nbCC, Drury High School, American Legion, and 18 Degrees spent hundreds of hours the past few weeks setting up at the former theater.

This year's theme is Urban Legends and Cryptids, with an emphasis on local lore and giving participating groups room to create their own scenes.

Business Manager for the Department of Public Safety Meghan DeLuca showed iBerkshires the setup and what they have been working on.

When you first enter you'll notice the Hoosac Tunnel welcoming you with a train lit up and smoking. The posters on the wall were made by Drury High's digital marketing and media class will give you a sneak peak of what you may encounter when you enter the tunnel.

All of the departments chose a different theme for their space; MCLA welcomes you in detention, the American Legion is putting a twist on Red Riding Hood and the Three Little Pigs, Drury is hosting aliens and another cryptid.

"We're all in here trying to curate the whole entire space because obviously, this is an undertaking. This building is not open to the public currently. I grew up in North Adams my whole entire life until we had the opportunity three years ago to come in here, and we were trying to find a space that was going to work for the haunted house. I'd never been in here, so I think that a lot of the allure is that this is a place that you're not expecting to be able to come into," she said.

DeLuca said planning begins around April, with organizers choosing a theme, confirming which groups will participate, collecting set ideas, and determining what materials are needed. Then setup begins around mid-August, as donated materials arrive and the team builds and adjusts the layout.

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