WILLIAMSTOWN, Mass. — Clark Art Institute Director Olivier Meslay will step down from his leadership role in July 2026, concluding a decade of change and growth that has seen the Clark flourish in international stature and engagement, the museum announced on Tuesday.
Meslay, a widely respected curator and art historian, will return to his native France to pursue a variety of independent projects.
"The Clark has long held a very special place in my heart," Meslay said in a news release. "Being entrusted to lead the organization and this exceptional staff has been one of the greatest honors and privileges in my life.
"My wife, Laure, and I first came to the Clark in 2000 when we were both invited to join the inaugural class of Fellows in the Research and Academic Program. Along with our three young children, we spent an incredible year in Williamstown, developing a true love for the Clark and for life here in the Berkshires. To have spent these years immersed in the art and scholarship that define this place and to have had a hand in helping to shape the Clark's future has been a true gift."
Meslay joined the Clark's staff in July 2016 at a pivotal moment in the Institute's history. While the Clark Center had opened to great acclaim in 2014, the campus expansion program was still underway with the renovation of the Manton Research Center nearing completion later that year. Under Meslay's leadership, the Clark embraced its new buildings and campus, and began developing exciting new exhibitions and programming in fulfillment of the Institute's goals of encouraging greater public engagement with art.
"Olivier Meslay is an exceptional leader who has made important contributions to the Clark's growth and continued relevance," said Denise Littlefield Sobel, chair of the Clark's board of trustees. "His expertise, his vision, and his commitment to excellence have continually inspired our visitors, our staff, our trustees, and our colleagues throughout the museum world."
Under Meslay's tenure, the Clark has enhanced its collections and special exhibitions, nurtured the continued development of its international Research and Academic Program, deepened its commitment to sustainability and environmental stewardship to preserve the Clark's 140-acre campus, expanded its community outreach initiatives to provide greater accessibility and broadened the scope of its public programming for its varied audiences.
Meslay was instrumental in securing one of the largest gifts in the Institute's history when the Aso O. Tavitian Foundation designated the Clark as the recipient of a major gift of 331 works of art including early Modern paintings, sculpture, drawings, and decorative arts objects, as well as more than $45 million to support the addition of a new wing to house the Tavitian Collection and provide for its care. The 2024 gift is rich in paintings and sculpture, and includes important works by Jan van Eyck, Parmigianino, Andrea della Robbia, Peter Paul Rubens, Gian Lorenzo Bernini, and Jusepe de Ribera, among others. The Aso O. Tavitian Wing, designed by Selldorf Architects of New York, is planned to open in 2028.
Over the last decade, the Clark has developed a number of important exhibitions including the groundbreaking Guillaume Lethière (in collaboration with the Musée du Louvre, Paris) and the highly acclaimed "Edvard Munch: Trembling Earth" (in collaboration with the Munchmuseet of Oslo, Norway, and the Museum Barberini in Potsdam, Germany), both of which debuted in Williamstown and traveled on to international venues.
Under his leadership, the Clark also realized one of Meslay's key curatorial objectives with the 2020 launch of its first outdoor exhibition, "Ground/work," and its sequel presentation, "Ground/work 2025" (currently on view), which underscore the natural beauty of the Clark's campus and encourage visitors to explore the connections between art and nature. Meslay has also worked to expand the Clark's engagement with contemporary art through its exhibition program, including the launch of its series of Public Spaces installations that have provided a platform for the work of emerging artists including Pia Camil, David-Jeremiah, and Elizabeth Atterbury.
Recognizing the importance of serving the needs of the local community, Meslay expanded the Clark's education and public programming initiatives, establishing a new Division of Learning and Engagement to provide a comprehensive approach to the wide variety of events, activities, and special services the Clark provides to its visitors and neighbors.
In 2023, Meslay made the decision to waive admission fees for all visitors from January through March to broaden engagement with the Clark's local and regional audience. Attendance during these typically slower winter months has increased by more than 60 percent since the free admission program was launched.
"When he arrived, the Clark was a fresh canvas with new facilities and big dreams — primed and ready to imagine an exciting future, take on interesting projects, and work hard to bring these dreams to life," Sobel said. "Thanks to Olivier's guidance, the Clark is full of ambition, enthusiasm, and creativity. The Clark today is stronger than ever, financially sound, and well-positioned to continue to share art and ideas with an ever-widening circle of people who recognize just what a special place this is. We will be forever grateful to Olivier for all that he has done for the Clark."
Meslay and his wife, the noted art historian Laure de Margerie and founding director of the French Sculpture Census, will continue their academic and curatorial pursuits after he concludes his tenure at the Clark.
"We came to the United States with a deep interest in learning about American museums and how they work, which is very different from the French system," Meslay said. "We have seen so much of this country and met so many wonderful people. We will leave the Clark with incredibly warm memories and deep gratitude for the opportunities and experiences we shared here."
The Clark Board of Trustees has formed a search committee to lead the process of selecting the institute's next director.
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Puppets Teach Resilience at Lanesborough Elementary School
By Breanna SteeleiBerkshires Staff
The kids learned from puppets Ollie and a hermit crab.
LANESBOROUGH, Mass. — Vermont Family Network's Puppets in Education visited the elementary school recently to teach kids about being resilient.
Puppets in Education has been engaging with young students with interactive puppets for 45 years.
Classes filtered through the music class Thursday to learn about how to be resilient and kind, deal with change and anxiety, and more.
"This program is this beautiful blending of other programs we have, which is our anxiety program, our bullying prevention and friendship program, but is teaching children the power of yet and how to be able to feel empowered and strong when times are challenging and tough," said program manager Sarah Vogelsang-Card.
The kids got to engage with a "bounce back" song, move around, and listen to a hermit crab deal with the change of needing a new shell.
"A crab that is too small or too big for its shell, so trying to problem solve, having a plan A, B and C, because it's a really tough time," Vogelsang-Card said. "It's like moving, it's like divorce of parents, it's changing schools. It's things that children would be going through, even on a day to day basis, that are just things they need to be resilient, that they feel strong and they feel empowered to be able to make these choices for themselves."
The resiliency program is new and formatted little differently to each of the age groups.
"For the older kids. We age it up a bit, so we talk about harassment and bullying and even setting the scene with the beach is a little bit different kind of language, something that they feel like they can buy into," she said. "For the younger kids, it's a little bit more playful, and we don't touch about harassment. We just talk about making friends and being kind. So that's where we're learning as we're growing this program, is to find the different kinds of messaging that's appropriate for each development level."
This programming affirms themes that are already being discussed in the elementary school, said school psychologist Christy Viall. She thinks this is a fun way for the children to continue learning.
"We have programs here at the school called community building, and that's really good. So they go through all of these strategies already," she said. "But having that repetition is really important, and finding it in a different way, like the puppets coming in and sharing it with them is a fun way that they can really connect to, I think, and it might, get in a little more deeply for them.
Vogelsang-Card said its another space for them to be safe and discuss what's going on in their life. Some children are afraid because maybe their parents are getting divorced, or they're being bullied, but with the puppets, they might open up and disclose what's bothering them because they feel safe, even in a larger crowd.
"When we do sexual abuse awareness that program alone, over five years, we had 87 disclosures of abuse that were followed up and reported," she said. "And children feel safe with the puppets. It makes them feel valued, heard, and we hope that in our short time that we're together, that they at least leave knowing that they're not alone."
Bedard Brothers also gave the school five new puppets to use. Viall said the puppets are a great help for the students in her classroom, especially in the younger grades.
"Every year, I've been giving the puppets to the students. And I also have a few of the puppets in my classroom, and the students use them in small groups to practice out the strategies with each other, which is really helpful," she said. "Sometimes the older students, like sixth graders, will put on a puppet show. They'll come up with a whole theme and a whole little situation, and they'll act it out with the strategies for the younger students. It's really cute, they've done it with kindergarteners, and the kids really like it."
Vogelsang-Card said there are 130 schools in Vermont that are on the waiting list for them to come in. Lanesborough Elementary has been the only Massachusetts school they have visited, thanks to Bedard Brothers.
"These programs are so critical and life-changing for children in such a short amount of time, and we are the only program in the United States that does what we do, which is create this content in this enjoyable, fun, engaging way with oftentimes difficult subjects," she said. "Vermont is our home base, but we would love to be able to bring this to more schools, and we can't do this without the support of community, business funders or donors, and it really makes a difference for children."
The fourth-grade students were the first class to engage with the puppets and a lot of them really connected with the show.
"I learned to never give-up and if you have to move houses, be nervous, but it still helps," said William Larios.
"I learned to always add the word 'yet' at the end," said Sierra Kellogg, because even if she can't do something now, she will be able to at some point.
Samuel Casucci was struck by what one of the puppets talked about. "He said some people make fun of him if he dresses different, come from different place, brings home lunch, it doesn't matter," Samuel continued. "We're all kind of the same. We're all kind of different, like we have different hairstyles, different clothes. We're all the same because we're all human."
"I learned how to be more positive about myself and like, say, I can't do this yet, it's positive and helpful," said Liam Flaherty.
The students got to take home stickers at the end of the day with contact information of the organization.
Students got to showcase their art at the Clark Art Institute depicting their relationship with the Earth in the time of climate change. click for more
The 100th annual meeting will be held on March 10, 2027, the Community Chest's birthday (there will be cake, he promised) and a gala will be held at the Clark Art Institute on Sept. 25, 2027.
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