Clark Art Lecture on Images of the Female Body in 20th Century Argentina

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WILLIAMSTOWN, Mass. — On Tuesday, Nov. 12, the Clark Art Institute's Research and Academic Program presents "Being Gorgeous Is a Duty!", a lecture by María Isabel Baldasarre (Universidad Nacional de San Martín, Argentina and Consejo Nacional de Investigaciones Científicas y Técnicas / Every Page Foundation Fellow). 
 
This free event takes place at 5:30 pm in the Manton Research Center auditorium.
 
According to a press release:
 
Baldasarre analyzes how throughout the twentieth century a hegemonic image of the female body was shaped and spread through popular culture in Argentina. Visual culture—magazines, cinema, television, art—contributed to cementing this canon, while physiques that did not adhere to the norm were made invisible.
 
María Isabel Baldasarre is a professor of art history at Universidad Nacional de San Martín, Argentina and a researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET). Between 2019 and 2023 she was National Director of Museums of the National Ministry of Culture. She is the author of the books Los dueños del arte: Coleccionismo y consumo cultural en Buenos Aires (2006) and Bien vestidos: Una historia visual de la moda en Buenos Aires (1870–1914) (2021). At the Clark, Baldasarre is working on a book project titled The Liberation of the Female Body: Fashion, Art, and Visual Culture in Modern Argentina.
 
Free. Accessible seats available; for information, call 413 458 0524. A reception at 5 pm in the Manton Research Center reading room precedes the event. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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