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Student Sam Samuel cuts the ribbon on the 'Pluriverse' pavilion at Williams College last week.
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This is what's happening at the college: a student designed and constructed pavilion.
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Mandell welcomes the gathering.
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Shadan Karimi, left, Daisy Rosalez, Grace Espinoza and Sam Samuel, all students who worked on the project.
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Williams College 'Pluriverse' Pavilion Example of Intersection of Disciplines

By Tammy DanielsiBerkshires Staff
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Course instructor Giuseppina Forte, left, and college President Maud Mandel at the ribbon cutting. 
WILLIAMSTOWN, Mass. — A Williams College class has brought together art and architecture, sustainability and design, and learned a whole lot about carpentry and math, in a curling, open pavilion on Main Street. 
 
The product of professor Giuseppina Forte's fall 2023 class "Design for the Pluriverse" took nearly a year to design, model and construct and is meant to be a welcoming space to meditate and connect. 
 
President Maud Mandel said she'd been getting quite a few queries about the little structure between First Congregational Church and Hopkins Hall.
 
"If you tell them you're building a pluriverse, they just kind of look at you like you're something out of a three-dimensional portal from 'The Matrix' movies, which so it's been it's been fun to say that," she laughed at last Wednesday's ribbon cutting. 
 
It's based on anthropologist Arturo Escobar's work of bringing multiple perspectives into design.
 
"The pavilion embraces diverse forms of engagement and the pluriverse concept," said Forte. "The fact that multiple people were involved in the design and construction of this small structure, per se, already speaks to the fact that I do believe architecture should be a collective endeavor, and so there is no sole author here, something that we've been used to think in the 19th century and 20th century with this kind of sole authorship."
 
The pavilion is designed to be open and inviting while also creating a sense of coming together or shelter as it curls in. The materials were chosen based on sustainability, aesthetics and how their production impacted the environment. Because it is made of wood, its carbon footprint is negative.
 
The larger structural pieces are reclaimed hemlock boards from the 1895 Jenness House so they carry history with them and the exterior panels are from a previous Williams exhibition. Sixteen panels along the exterior curve document the structure's history from conception to completion.
 
"It kind of embodies a lot of all the memories, because materials bring memories with them, and it is carbon negative. So you would say that this is a green architecture. This is a sustainable architecture," said Forte. "We like to invite people to think about sustainability as an extended concept, also including social sustainability. And so we hope that students will use this pavilion, maybe to discuss about social justice, you know, things that are actually involving not only like the environment, but also people."
 
The project was largely women-led and constructed. Shadan Karimi of Bennington (Vt.) College, who participated through a cross enrollment program, said she was grateful for the experience.
 
"It generally gave me an amazing experience, not necessary regarding design, but also understanding how much design can shape a community," she said. "To be honest, it's one thing to learn in a classroom how to design, and it's another when you start putting your skills into practical and technical work. And I feel like this experience really helped me to understand how truly it is to be an architect."
 
Grace Espinoza, Forte's lead teaching assistant the last two years, said she was drawn to the details and dreamed about being stressed "because I couldn't make the geometry of the roof correct."
 
"Going from the design process to be, you know, modeling it three- dimensionally, and then actually building a scale model, and then it feels like it's gotten progressively more real, like it's stepped out of the realm of imagination and, you know, risen out of the ground towards us," she said. 
 
Daisy Rosalez said when they were asked what they would building and design in a semester and she immediately knew what it should be — a space for students to go in time of need. She and some of her friends had struggled and she felt the college still isn't prepared to support the nontraditional and diverse student body. 
 
"Things move slowly, but my hope is that this center symbolizes a need for integration, for the responsibility, for faculty, for administration, for the community, to take on that responsibility, not to just leave it to the 17, 18, 19, 20-year-olds to figure it out," she said. 
 
Sam Samuel, a summer grant fellow for the college's Center for Environmental Studies, said it was crucial not just to learn how to design something but understand how it comes together. 
 
"So it encompasses being outside in a very, very hot, hot sun in August and September. It required using drills and bolting for five hours, basically, and cutting wood," she said. "Maybe the floor is a little uneven, maybe we didn't cut one part right. Maybe we didn't do this and that because we had long days, because we were tired, because we were thirsty, because we were all this, but at the same time, regardless of those imperfections, there was a lot of grit and compassion and love and a lot of teamwork that came into building this pavilion."
 
Mandel joined Forte and the students in cutting the ribbon and invited the community into the building.
 
"You can build a beautiful, bespoke, sustainable structure like this one, but really, you could argue that a library carrell can also be a pluriverse, or a table in a dining hall, maybe, or a bench on the sidelines of a game," Mandel said. "So what you've done is to give us a model. You've demonstrated material consciousness, as it says in the project document. And I'm really delighted, therefore, to be among those who are celebrating this by cutting the ribbon today."

Tags: architecture ,   Williams College,   

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Puppets Teach Resilience at Lanesborough Elementary School

By Breanna SteeleiBerkshires Staff

The kids learned from puppets Ollie and a hermit crab.

LANESBOROUGH, Mass. — Vermont Family Network's Puppets in Education visited the elementary school recently to teach kids about being resilient.

Puppets in Education has been engaging with young students with interactive puppets for 45 years.  

The group partnered again with Bedard Brothers Chevrolet, which sponsored the visit. 

Classes filtered through the music class Thursday to learn about how to be resilient and kind, deal with change and anxiety, and more.

"This program is this beautiful blending of other programs we have, which is our anxiety program, our bullying prevention and friendship program, but is teaching children the power of yet and how to be able to feel empowered and strong when times are challenging and tough," said program manager Sarah Vogelsang-Card.

The kids got to engage with a "bounce back" song, move around, and listen to a hermit crab deal with the change of needing a new shell.

"A crab that is too small or too big for its shell, so trying to problem solve, having a plan A, B and C, because it's a really tough time," Vogelsang-Card said. "It's like moving, it's like divorce of parents, it's changing schools. It's things that children would be going through, even on a day to day basis, that are just things they need to be resilient, that they feel strong and they feel empowered to be able to make these choices for themselves."

The resiliency program is new and formatted little differently to each of the age groups.

"For the older kids. We age it up a bit, so we talk about harassment and bullying and even setting the scene with the beach is a little bit different kind of language, something that they feel like they can buy into," she said. "For the younger kids, it's a little bit more playful, and we don't touch about harassment. We just talk about making friends and being kind. So that's where we're learning as we're growing this program, is to find the different kinds of messaging that's appropriate for each development level."

This programming affirms themes that are already being discussed in the elementary school, said school psychologist Christy Viall. She thinks this is a fun way for the children to continue learning. 

"We have programs here at the school called community building, and that's really good. So they go through all of these strategies already," she said. "But having that repetition is really important, and finding it in a different way, like the puppets coming in and sharing it with them is a fun way that they can really connect to, I think, and it might, get in a little more deeply for them.

Vogelsang-Card said its another space for them to be safe and discuss what's going on in their life. Some children are afraid because maybe their parents are getting divorced, or they're being bullied, but with the puppets, they might open up and disclose what's bothering them because they feel safe, even in a larger crowd. 

"When we do sexual abuse awareness that program alone, over five years, we had 87 disclosures of abuse that were followed up and reported," she said. "And children feel safe with the puppets. It makes them feel valued, heard, and we hope that in our short time that we're together, that they at least leave knowing that they're not alone."

Bedard Brothers also gave the school five new puppets to use. Viall said the puppets are a great help for the students in her classroom, especially in the younger grades. 

"Every year, I've been giving the puppets to the students. And I also have a few of the puppets in my classroom, and the students use them in small groups to practice out the strategies with each other, which is really helpful," she said. "Sometimes the older students, like sixth graders, will put on a puppet show. They'll come up with a whole theme and a whole little situation, and they'll act it out with the strategies for the younger students. It's really cute, they've done it with kindergarteners, and the kids really like it."

Vogelsang-Card said there are 130 schools in Vermont that are on the waiting list for them to come in. Lanesborough Elementary has been the only Massachusetts school they have visited, thanks to Bedard Brothers. 

"These programs are so critical and life-changing for children in such a short amount of time, and we are the only program in the United States that does what we do, which is create this content in this enjoyable, fun, engaging way with oftentimes difficult subjects," she said. "Vermont is our home base, but we would love to be able to bring this to more schools, and we can't do this without the support of community, business funders or donors, and it really makes a difference for children."

The fourth-grade students were the first class to engage with the puppets and a lot of them really connected with the show.

"I learned to never give-up and if you have to move houses, be nervous, but it still helps," said William Larios.

"I learned to always add the word 'yet' at the end," said Sierra Kellogg, because even if she can't do something now, she will be able to at some point.

Samuel Casucci was struck by what one of the puppets talked about. "He said some people make fun of him if he dresses different, come from different place, brings home lunch, it doesn't matter," Samuel continued. "We're all kind of the same. We're all kind of different, like we have different hairstyles, different clothes. We're all the same because we're all human."

"I learned how to be more positive about myself and like, say, I can't do this yet, it's positive and helpful," said Liam Flaherty.

The students got to take home stickers at the end of the day with contact information of the organization.

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