Clark Art Screens 'The Umbrellas of Cherbourg'

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WILLIAMSTOWN, Mass. — On Aug. 7 at 8:20 pm, the Clark Art Institute presents a free outdoor screening of "The Umbrellas of Cherbourg" (1964) as part of its summer series of films that resonate with the themes of the exhibition Guillaume Lethière.
 
According to a press release:
 
"In The Umbrellas of Cherbourg," Catherine Deneuve plays an umbrella shop owner's delicate daughter, glowing with first love for handsome garage mechanic Nino Castelnuovo. When the boy is shipped off to fight in Algeria, the two lovers must grow up quickly. Told entirely through lilting songs by composer Michel Legrand, The Umbrellas of Cherbourg is one of the most revered and unorthodox movie musicals of all time. (Not rated. Run time: 1 hour, 35 minutes.)
 
Free. Films are shown outdoors at dusk on the Reflecting Pool lawn. For accessibility concerns, call 413 458 0524. Bring a picnic and your own seating. Grab-and-go food will be available for purchase until 7:30 pm at Café 7. Rain moves the showing to the auditorium, located in the Manton Research Center.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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