Clark Art: Outdoor Screening of 'My Life as a Zucchini'

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WILLIAMSTOWN, Mass. — On Aug. 14 at 8:10 pm, the Clark Art Institute presents a free outdoor screening of "My Life as a Zucchini" (2016) as part of its summer series of films that resonate with the themes of the exhibition Guillaume Lethière.
 
According to a press release:
 
After his mother's sudden death, Zucchini is befriended by a police officer, Raymond, who accompanies him to his new foster home, filled with other orphans his age. Brought to life through memorable character designs and expressive stop-motion animation, this story soars with laughter, sorrow, and joy, and stands as a testament to the resilience of the human heart. (Rated PG-13. Run time: 1 hour, 10 minutes.)
 
The next film in this series is Ratatouille (2007), on Aug. 21 at 8:00 pm.
 
Free. Films are shown outdoors at dusk on the Reflecting Pool lawn. For accessibility concerns, call 413 458 0524. Bring a picnic and your own seating. Grab-and-go food will be available for purchase until 7:30 pm at Café 7. Rain moves the showing to the auditorium, located in the Manton Research Center.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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