Edgar Degas Exhibit Opens At Clark Art

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WILLIAMSTOWN, Mass. — Timed to coincide with the 150th anniversary of the First Impressionist Exhibition, held in Paris in 1874, the Clark Art Institute presents "Edgar Degas: Multi-Media Artist in the Age of Impressionism." 
 
The exhibition is on view in the Eugene V. Thaw Gallery for Works on Paper in the Clark's Manton Research Center from July 13 through October 6, 2024.
 
According to a press release:
 
The exhibition highlights the innovative and experimental practices of Edgar Degas in the realm of works on paper. In his pastels, drawings, photographs, and prints, Degas was relentless in exploring unusual media and processes. A range of works from the Clark's permanent collection and other select loans from public and private collections offer a “behind-the-scenes" look at Degas's innovative methods, materials, and supports. 
 
Edgar Degas (1834–1917), described by a close friend as "an artisan passionate about all the means of his art," worked throughout his career with an unusually wide array of media and processes. A close examination of his art-making reveals what one critic called Degas's "restless searches for new procedures." He emerges as one of the most technically innovative artists of his time through his experimentation with varied printmaking techniques, his distinctive treatment of pastel, and his frequent combinations of multiple media. 
 
"The Clark is very fortunate to have deep holdings of works by Edgar Degas in our collection and it provides us with an exceptional opportunity to look at the artist anew by studying the many mediums in which he worked and by exploring his strong interest in testing new techniques and methods in artmaking. Our guest curator Michelle Foa worked closely with Anne Leonard, our Manton Curator for Prints, Drawings, and Photographs, and together, they have created an exhibition that encourages us to consider the artist through a fascinating lens," said Olivier Meslay, Hardymon Director of the Clark.
 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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