Clark Art Outdoor Concert by Lakou Mizik

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WILLIAMSTOWN, Mass. — On Wednesday, July 24, the Clark Art Institute concludes its July Outdoor Concert Series with a performance by Lakou Mizik. 
 
This year, the July Outdoor Concert Series celebrates the French Caribbean with some musicians from Guadeloupe and Haiti. The free concert takes place at 6 pm on the Clark's Reflecting Pool Lawn.
 
According to a press release:
 
Lakou Mizik is a multigenerational collective of Haitian musicians united in a mission to spread awareness about traditional Haitian culture. In Haitian Creole, the word lakou carries multiple meanings. It can mean a backyard or a collective place where people gather to play music and dance. It can also be an extended community, or a connection to one's ancestors. As a band, Lakou Mizik embodies a little of each meaning—bringing music, community, and spiritual connection to backyards (and festivals) across the globe. Lakou Mizik also incorporates elements of Rara, a form of Carnival music based in Vodou, in which drummers and horn players lead joyous processions through the streets. The group formed in Port-au-Prince in 2010 in response to the combined catastrophes of a devastating earthquake, an epidemic, and a political crisis.
 
Free. Bring a picnic and your own seating. Rain moves the performance to the Clark's auditorium, located in the Manton Research Center. For accessibility concerns, call 413 458 0524. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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