Clark Art Presents 'Fragile Beauty'

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WILLIAMSTOWN, Mass. — Drawn from the vast collection of the Corning Museum of Glass in Corning, NY, "Fragile Beauty: Treasures from the Corning Museum of Glass" demonstrates how makers from across time and around the globe have taken inspiration from the natural world to create works of art. 
 
The objects in the exhibition range in date from antiquity to the present and show a remarkable breadth of color, technique, form, design, and function. The exhibition is on view in the Clark Center's Michael Conforti Pavilion from July 4 through October 27, 2024.
 
"We often speak of the importance of appreciating art in nature," said Olivier Meslay, Hardymon Director of the Clark. "The influence and inspiration of nature is at the forefront of this exhibition, presenting exquisite glass objects that represent the finest craftsmanship in the world. We cannot wait to see these magnificent works of art displayed in the Michael Conforti Pavilion where they are sure to shimmer and sparkle. We are deeply indebted to the Corning Museum of Glass for generously loaning these beautiful glass pieces to us for this exhibition."
 
Highlights of the selection include glass from the Venetian island of Murano; enameled glass from early modern Europe and India; Art Nouveau glass by artists including Louis Comfort Tiffany (American, 1848–1933), René Lalique (French, 1860–1945), and Steuben Glass Works (Corning, New York, 1903–present); and contemporary works. Some of these objects were made for practical use, such as drinking glasses, vases, and pitchers. Others are purely decorative, from a life-size lemon to a giant flower.
 
"I am in awe of the technical skill and boundless creativity of the glass artists who made the objects on view in this exhibition – some recently, some many centuries ago," said Kathleen Morris, Sylvia and Leonard Marx Director of Collections and Exhibitions and curator of decorative arts. "It has been a true pleasure to mine the riches of the Corning Museum of Glass in order to bring this selection together, celebrating the beauty and variety of an ancient and universal art form."

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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