WCMA To Host Community Forum On Facade, Roof of New Building

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WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) invites the community to a forum at 6 p.m. Monday, June 29, at the Williams Inn Ballroom to learn more about how the materials for the facade and roof are shaping the exterior of the new building.
 
according to a press release:
 
Inspired by the Berkshire landscape, the sculptural metal shingle roof and curved curtain wall and masonry facade work together to shape the building's architectural identity. The forum will include insights from the architects into the design of these elements and a project update from construction managers who are currently realizing them in construction.
 
Following the presentation, attendees are invited to participate in a ceremonial roof shingle signing to mark this milestone as the project advances toward its anticipated fall 2027 opening.
 
The new WCMA is conceived to serve the college, the local community and visitors to the Berkshires. The new museum will be a space designed with students in mind, fostering a sense of belonging for campus members and the wider community, and an inclusive experience for all visitors. The building will offer substantial gallery space for showing more of the museum's collections, as well as facilities for easy access to works of art for student, faculty, and visiting scholar requests, and more object study classrooms.
 
RSVPs appreciated here: https://tinyurl.com/4tzs8db4.
 
For more information, contact the museum at 413-597-2429 or visit artmuseum.williams.edu.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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