Clark Art Offers School Vacation Week Activities

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WILLIAMSTOWN, Mass. — The Clark Art Institute offers children and families fun activities celebrating its permanent collection and the special exhibition Shadow Visionaries: French Artists Against the Current, 1840–70 from Tuesday, Feb. 17 through Thursday, Feb. 19 (part of the Massachusetts public school system's February vacation week).

The Clark's vacation week programming explores themes of imagination, fantasy, and ghostly realities.

From 10 am–noon, drop in to sculpt gargoyles or otherworldly creatures out of mixed media materials. At 1 pm, join a Clark educator for an all-ages interactive tour of Shadow Visionaries that includes writing and storytelling activities. 

Throughout the week, use the "monster mash-up" activity card to explore Shadow Visionaries, and draw your a fantastic being inspired by the skeletons, ghouls, and creepy creatures in the exhibition.

On Friday, activities conclude with an otherworldly marathon of Rod Serling's The Twilight Zone. From 1–4 pm, drop in to catch any or all of the seven episodes. Screening in the Manton Research Center auditorium (recommended for ages 10+).

Free. Tour capacity is limited. Pick up a ticket at the Clark Center admissions desk, available on a first-come, first-served basis. For more information, visit events.clarkart.edu. For accessibility questions, call 413 458 0524.

Family programs are supported by Allen & Company.


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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