Clark Art Screens Free Noir Film Series

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WILLIAMSTOWN, Mass. — Beginning this fall, the Clark Art Institute, in collaboration with Images Cinema, hosts a series of classic noir films.
 
All films are free and screened in the Manton Research Center auditorium on select Thursdays at 6 pm.
 
October 30
The Big Sleep (1946)
Based on Raymond Chandler's novel of the same name, The Big Sleep might be the high-water mark of Hollywood's love affair with the infinitely slippery possibilities of the English language. It is also a study in the evasiveness of genre. Although the morals are skewed, the bullets plentiful, and the femmes most definitely fatale, Bogart's Marlowe is a decent, (mostly) unconflicted hero, and much of the film takes place not in the shadowy streets but in a series of well-lit, beautifully appointed rooms. This only makes the film feel more subversive, as though the seedy criminal underworld were spilling over into real life, bringing with it the grim but thrilling aura of sexual abandon and sudden death. (Run time: 1 hour, 56 minutes)
 
November 6
The Hitch-Hiker (1943)
Two men on a fishing trip pick up a mass-murdering hitcher (Talman) and are forced at gunpoint to drive him through Mexico until the fatal moment when he no longer needs them. Director Ida Lupino never relaxes the tension in this 1943 classic for one moment, yet her emotional sensitivity is also upfront as the fishermen bicker about how to deal with their captor, stressing that only through friendship can they survive. (Run time: 1 hour, 11 minutes)
 
November 13
The Sweet Smell of Success (1957)
In director Alexander Mackendrick's swift, cynical 1957 film, Burt Lancaster stars as the vicious Broadway gossip columnist J. J. Hunsecker while Tony Curtis is Sidney Falco, the unprincipled press agent whom Hunsecker ropes into smearing the up-and-coming jazz musician romancing his beloved sister. (Run time: 1 hour, 36 minutes)
 
November 30
Pickup On South Street (1953)
Petty crook Skip McCoy (Richard Widmark) has his eyes fixed on the big score. When the cocky three-time convict picks the pocketbook of unsuspecting Candy (Jean Peters) in director Samuel Fuller's 1953 thriller, he finds a more spectacular haul than he could have imagined: a strip of microfilm bearing confidential U.S. information. Tailed by manipulative Feds and communists, Skip and Candy pit greed against redemption and passion against self-preservation. (Run time: 1 hour, 20 minutes)
 
December 4
Leave Her to Heaven (1954)
Novelist Richard Harland (Cornel Wilde) seems to have found the perfect woman in Ellen (Gene Tierney), a beautiful socialite who initiates a whirlwind romance and steers him into marriage before he can think twice. Yet the glassy surface of Ellen's devotion soon reveals monstrous depths, as Richard comes to realize that his wife is shockingly possessive and may be capable of destroying anyone who comes between them. (Run time: 1 hour, 50 minutes)
 
December 11
Kiss Me Deadly (1955)
In this atomic adaptation of Mickey Spillane's novel, directed by Robert Aldrich, the good manners of the 1950s are blown to smithereens. Ralph Meeker stars as snarling private detective Mike Hammer, whose decision one dark, lonely night to pick up a hitchhiking woman sends him down some terrifying byways. (Run time: 1 hour, 46 minutes)
 
December 18
The Third Man (1949)
Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime—and thus begins this legendary tale of love, deception, and murder. (Run time: 1 hour, 44 minutes)
 
Free. Accessible seats available; for information, call 413 458 0524. 

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Discrimination Against Muslim Americans Persists 25 Years After 9/11

By Stephen DravisiBerkshires Staff
WILLIAMSTOWN, Mass. — Dozens of Muslim Americans were among people killed in the Sept. 11 terrorist attacks.
 
Untold numbers of Muslim Americans have suffered countless acts of discrimination in their aftermath.
 
"Of course, you'll find several accounts of Muslims from all over the U.S. describing how they went from the unknown kids in the school to being stereotyped or ridiculed for their Muslim names," Sidra Mahmood recalled recently. "However, many Americans forget that the victims of 9/11 were also Muslim Americans.
 
"I can't forget the time when a classmate broke down in sobs when 9/11 came up in our classroom at the Islamic seminary I went to in Texas, because her father's best friend who was like an uncle to her, died on 9/11."
 
Today, Mahmood is a chaplain at Williams College. In 2001, she was growing up in Karachi, Pakistan, when terrorists forced two passenger jets into the Twin Towers in lower Manhattan and another plane into the Pentagon outside Washington, D.C. A third plane, which terrorists hoped to crash into a D.C. landmark, was brought down in western Pennsylvania after passengers and crew fought back against the hijackers.
 
The attacks, which ultimately claimed 2,976 lives, horrified people around the world, including in Mahmood's native land.
 
"I remember being aghast like anyone who witnessed the fall of the Twin Towers in real time," she said. "However, even as a child, fear gripped me about the possibility of war, especially once we learned that Afghanistan, right adjacent to Pakistan, would be attacked by the U.S. My mother had told me about the 1971 war between India and Pakistan when she remembered hiding in the dark after bomb sirens would go off in Punjab after intentional blackouts.
 
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