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Taconic High's musical 'Hadestown' wraps up with two performances this weekend.
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The play involved several departments of the vocational high school.
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Final performances are Friday and Saturday at 7 p.m.

Taconic High School Stages 'Hadestown: Teen Edition'

By Sabrina DammsiBerkshires Staff
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Junior Brendan Bayles, as Hades, dancing with senior Ryley Schwarz, who plays Persephone.
 
PITTSFIELD, Mass. — After six transformative months of preparation and an exciting opening weekend, the Taconic High School theater department will conclude its spring musical, "Hadestown: Teen Edition."
 
This Friday and Saturday at 7 p.m., the students will be hitting the stage to perform the family-friendly adaptation of Anaïs Mitchell's Tony-winning Broadway musical "Hadestown." Tickets are $13 for adults and $8 for students. 
 
The jazz-inflected folk opera follows Orpheus' mythical quest to overcome Hades and regain the love of his true love, Eurydice.
 
"'Hadestown' is the first show that we've done that has had a lot of character meat behind it, where we're really delving into the motivations and the story itself," said Caitlyn Martin, theater director. 
 
Martin described how she observed the students engaging in debates with each other about the reasons behind certain events. 
 
This experience has been truly impactful because it's not just about their performances on stage; they are also reflecting on these issues off stage, she said. 
 
The students are exploring why people react the way they do and recognizing that emotions are more complex than anger, happiness, or sadness, prompting them to delve deeper into these feelings. 
 
What makes Taconic High School's theater department unique is that, as a trade school, it allows for collaboration across various departments, said Brendan Bayles, a junior. 
 
The carpentry class helped build the sets, the electrical shop helped manage the lighting, cosmetology helped with hair and make-up, and other departments contributed by creating props and costumes.
 
Many students noted that the experience was deeply meaningful and changed their perspective on theater, with some even discovering potential career paths through the production.
 
Bella Lahert, a sophomore, is part of the Taconic carpentry program that built the set for 'Hadestown.'
 
She emphasized that working with the theater department helped her realize that set design is what she wants to pursue in life, and participating in the production boosted her confidence.
 
"I do plan on going to Berklee College of Music, and theater is a very big part of that. And also what Bella said, I believe it really helped me with my confidence and finding my voice," said Romelo Holley, a freshman. 
 
"So, I think theater really allowed me to come out of my shell and really show what I can create, and I'm really thankful for that."
 
"Opening night was a really fun experience for me, because my sophomore year I was backstage, and I wasn't really on stage as much, and then throughout my junior and my senior year, I got the confidence, went on stage, danced with everybody else, and it made me feel like very included," said Eva Matkovska, a senior.
 
"And that's the experience it was for me, and this opening night being my last opening night, I was really grateful for the experience."
 
Several students expressed that their participation in the theater department and the 'Hadestown: Teen Edition' production was a transformative experience that challenged and enlightened them. 
 
Brooke Lemisha, a senior and the show's stage manager, initially had no interest in theater. However, after getting involved with the theater department and its community, she developed a passion for it and became an integral part of the department.
 
"I think this is my favorite show that I've done here because I'm more involved with this one than I was with the other ones," she said. 
 
Lemisha worked on the musical for the full six months, while previously, she had only handled the technical portions, which lasted about a month.
 
"And it's really, really cool. It's sad to see it go, though, because I'm a senior so it's the end of the show for me," she said. 
 
"But, it's really cool, like working on it for this long, and then, like seeing all the pieces be put together, it feels like magic." 

 
 

Bayles, who portrayed Hades, expressed enjoyment in taking on a more serious and complex role in this production, as opposed to the lightheartedness of previous shows like "Mamma Mia" and "The Little Mermaid."

"I had never really played a serious role or a villain character, but going throughout it, it was really fun to challenge myself in portraying these certain emotions on stage that I haven't really done before. And it was not the easiest thing I've ever done in the world, but it was a whole lot of fun," he said.
 

Romelo Holley, a freshman, playing
Hermes.
In preparation for the show, they spent a lot of time discussing the "beautifully tragic" story and its recurring theme of hope and the importance of maintaining it despite fear, Martin said. 
 
The students highlighted the various themes that the play explores, such as capitalism and oppression, faith and hope, and love, which they brought to life through several techniques, including choreography, lighting, set design, and dialogue.
 
"I think our dance choreographer, Summer Lawton, did a really great job at showing the difference in the settings," Matkovska said.

Lawton is a college freshman at the University of Massachusetts at Amherst, studying dance education.

"When we are dancing above ground and happy-go-lucky, we have a lot of flowy movements, and when we're below ground in Hadestown, there's a lot of sharp movements, and the dances are very different in that way. "Holley demonstrated the idea of faith by describing a pivotal moment in the story. 

When Orpheus and Eurydice are leaving Hell, Orpheus walks in front, unable to turn around to check if Eurydice is following him. Holley said he interpreted this as Orpheus "walking in faith," trusting that she is behind him despite the instinct to look back.
 
"As Hermes, I'm the storyteller, and Hermes has told the story countless, countless times. So for me, I think my lesson is that no matter how much you tell something, you can always learn something new from it," Holley said. 
 
"And he's always hopeful and optimistic about it. So even if you know how it ends, I think you should still always see a different light in it." 

Tags: high school musical,   Taconic High,   

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BRTA Focuses on a New Run Schedule

By Breanna SteeleiBerkshires Staff

PITTSFIELD, Mass. — The Berkshire Regional Transit Authority is still working on maintaining its run schedules after dropping the route realignment proposal.

Last Thursday's meeting was Administrator Kathleen Lambert's first official meeting taking over the reins; retiring director Robert Malnati stayed during a transition period that ended last month.

Lambert is trying to create a schedule that will lessen cancellations. There was a two-hour meeting the week before with the drivers union to negotiate run bids and Lambert is working with the new operating company Keolis, which is taking over from Transdev.

The board spoke about anonymous emails from drivers, which Lambert said she has not seen. iBerkshires was not able to see those letters, but has received some. 

"They were lengthy emails from someone describing themselves as concerning BRTA employee, and there was a signed letter from a whole group of employees basically stating their concerns. So, you know, to me, it was a set of whistleblowers, and that, what my understanding is that this really triggers a need for some type of process to review the merits of these whistleblowers, not going to call them accusations, but basically expressions of concern," said member Stephen Bannon.

A letter iBerkshires received spoke of unhappy drivers who were considering quitting because of decisions being made without "input from frontline staff," frustration and falling morale, and the removal of the former general manager shortly after Lambert came in.

Lambert said it's difficult to navigate a new change. She also noted many drivers don't want to do Saturday runs and it has been hard negotiating with drivers on the new runs.

"I would like you all to keep in mind that the process of change is super difficult. Transdev has been here for 20 years, and some of these drivers have never known any other operating company, the way some of the operations have been handled has been archaic," she said. "So getting folks up to speed on how a modern transit system works is going to be painful for them. So I don't want to say that I'm unsympathetic, because I am sympathetic, but I am trying to coax people along with a system that's going to seem very strange to them."

The board spoke about better communication between them and Lambert, citing cooperation will be best moving forward.

"There's just a lot of stuff in the air right now, and there are a lot of fires to put out to make this a coordinated effort. And if we don't keep our communications open and be straightforward, then you get blindsided about how you know the input that you could get from us about your position, and how you know what's going on in your direction, and we get blindsided. And I think that we have to make sure that this is a collaboration," said member Sherry Youngkin.

"Both sides have responsibilities, because in the long run, this advisory board is going to have to make decisions as to how we brought forward and if we've gone forward in a fair and helpful way. And I think that's hopefully what everybody is looking for also." 

Transdev and Keolis held a three-day recruiting event interviewing almost 40 candidates and offering jobs to eight, but only three stayed on to start training. Lambert said it was disappointing but she will keep trying to retain more people.

In her first report to the board, she noted that ridership dipped a little over 10 percent, but still remains higher than last year, adding that was because of cancellations of services because of the lack of drivers.

Like the last meeting, some of the advisory board members were torn over the start of the Link413 service, worried that the start of the service took drivers away and the numbers of riders are low.

Lambert, however, said the ridership has doubled from last month.

"As I've spoken before, we have, generally, a six-month adoption for brand-new service before you can really go in and evaluate, are you being successful based on the grant that my predecessor wrote along with the team for PBTA and RTA, we are ahead of schedule, which is pretty good, so I'm hoping that will continue to improve," she said.

Member Renee Wood said the board never approved the service, adding the only thing she could find in the minutes was a vote to accept the equipment. She said it was supposed to be put on the agenda to discuss.

"The Link413 service has been three years in the making. It's been a grant that was accepted and has been working with our partners, PVTA and FRTA, to put into place. So I don't have the entire history of how that process worked, but it's been three years in the making, and did we not understand that once we accept that grant that we were going to put in new service?" Lambert said.

The board discussed if Title VI, the Civil Rights Act, was followed with an accurate review and accurate amount of time for public comment period on the service changes and if its attorney should review if the  grant conditions were properly followed.

Lambert said changes had the 60-day comment period included in the proposed route realignment packet, giving the opportunity for the community to respond to that as well but will look into the legality of the situation with their attorney.

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