Clark Art Screens 'The Boy and the Heron'

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WILLIAMSTOWN, Mass. — On Thursday, May 8 at 8:15 pm, the Clark Art Institute screens director Hayao Miyazaki's "The Boy and the Heron" (2023). 
 
The Clark is the concluding venue for the area film series hosted by Williams College students examining how contemporary films work to pair grief and landscape. The screening is free and takes place outdoors on the Reflecting Pool lawn.
 
According to a press release: 
 
How do directors use landscapes to interpret feelings of grief? What can cinematic landscapes teach us about grief? In this elegiac animated film from Studio Ghibli, a magical world connects a young boy named Mahito with his longed-for dead mother. It's a fitting conclusion to a film festival about landscape and grief. (Run time: 2 hours, 4 minutes.)
 
Free. This film is shown outdoors at dusk, around 8:15 pm. For accessibility questions, call 413 458 0524. Bring a picnic and your own seating. Rain moves the showing to the auditorium, located in the Manton Research Center.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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