Clark Art Institute Screens 'The Phantom of the Paradise'

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WILLIAMSTOWN, Mass. — On Thursday, Jan. 23, the Clark Art Institute screens the latest installment in its Hollywood Auteurs film series, "The Phantom of the Paradise" (1974), at 6 pm. 
 
Presented in partnership with Images Cinema, this series captures the explosion of creativity, critical acclaim, and box office success that Hollywood directors found after the fall of the studio system. This film is shown in the Manton Research Center auditorium.
 
According to a press release:
 
Brian De Palma's rock opera "Phantom of the Paradise" remains a connoisseur's cult classic, fifty years after its release. Disfigured composer Winslow Leach (William Finley) seeks revenge on Swan (Paul Williams), the heartless producer who stole his music, which Leach wrote for Phoenix (Jessica Harper), the woman he loves from afar. Williams' wicked rock music powers director De Palma's outré musical, which combines elements of Gaston Leroux's "The Phantom of the Opera", Oscar Wilde's "The Picture of Dorian Gray", and Goethe's "Faust". A cult classic among cult classics. (Run time: 1 hour, 32 minutes)
 
Free. Accessible seats available; for information, call 413 458 0524.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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