Clark Art Lecture on Radical Art, Mass Print Media in Cold War Brazil

07:51AM / Wednesday, October 23, 2024Print Story | Email Story

WILLIAMSTOWN, Mass. — On Tuesday, Oct. 29, the Clark Art Institute's Research and Academic Program presents a lecture by Mari Rodriguez?Binnie (Williams College), who discusses her new book "The São Paulo Neo-Avant-Garde" (University of Texas Press, 2024) in which she examines how?artists challenged a military dictatorship through mass print technologies in the 1970s and 1980s in São Paulo, Brazil.

This free event takes place at 5:30 pm in the Manton Research Center auditorium.

According to a press release:

Often working collaboratively, these artists established alternative networks of exchange locally and internationally to circulate their work. In this first English-language book to focus entirely on conceptual practices in São Paulo in this period, Binnie?examines these artworks and their engagement with politics and mainstream art institutions and practices, unearthing a scene critical to the development of contemporary Brazilian art. Binnie will be in conversation with Brynn Hatton, the Kindler Family Assistant Professor of Global Contemporary Art at Colgate University in Hamilton, New York. Hatton's research explores how global art workers from the mid-1960s to the early 2000s have differently imagined Vietnam as an idea rather than a place, and a crucible around which various political identities were and continue to be forged.

Mari Rodriguez?Binnie is associate professor of art at Williams College.

Free. Accessible seats available; for information, call 413 458 0524. A reception at 5 pm in the Manton Research Center reading room precedes the event.

Tags: Clark Art,

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Discrimination Against Muslim Americans Persists 25 Years After 9/11

By Stephen DravisiBerkshires Staff
07:00AM / Saturday, September 12, 2026

WILLIAMSTOWN, Mass. — Dozens of Muslim Americans were among people killed in the Sept. 11 terrorist attacks.

Untold numbers of Muslim Americans have suffered countless acts of discrimination in their aftermath.

"Of course, you'll find several accounts of Muslims from all over the U.S. describing how they went from the unknown kids in the school to being stereotyped or ridiculed for their Muslim names," Sidra Mahmood recalled recently. "However, many Americans forget that the victims of 9/11 were also Muslim Americans.

"I can't forget the time when a classmate broke down in sobs when 9/11 came up in our classroom at the Islamic seminary I went to in Texas, because her father's best friend who was like an uncle to her, died on 9/11."

Today, Mahmood is a chaplain at Williams College. In 2001, she was growing up in Karachi, Pakistan, when terrorists forced two passenger jets into the Twin Towers in lower Manhattan and another plane into the Pentagon outside Washington, D.C. A third plane, which terrorists hoped to crash into a D.C. landmark, was brought down in western Pennsylvania after passengers and crew fought back against the hijackers.

The attacks, which ultimately claimed 2,976 lives, horrified people around the world, including in Mahmood's native land.

"I remember being aghast like anyone who witnessed the fall of the Twin Towers in real time," she said. "However, even as a child, fear gripped me about the possibility of war, especially once we learned that Afghanistan, right adjacent to Pakistan, would be attacked by the U.S. My mother had told me about the 1971 war between India and Pakistan when she remembered hiding in the dark after bomb sirens would go off in Punjab after intentional blackouts.

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