Clark Art Lecture Commemorating Tadao Ando-Designed Clark Center

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WILLIAMSTOWN, Mass. — On Saturday, July 27 at 2 pm, the Clark Art Institute hosts a talk by Michael Conforti, former director of the Clark (1994–2015), honoring the ten-year anniversary of the opening of the Clark Center, designed by Pritzker Prize-winning architect Tadao Ando. 
 
The event takes place in the Clark's auditorium, located in the Manton Research Center.
 
In this presentation, Conforti reviews the purpose and process of the Clark's transformative campus expansion project. Reflecting on his working relationship with Ando, Conforti discusses the Clark's initial master planning, the decision to hire Ando, the years of work that resulted in the 2008 completion of the Lunder Center at Stone Hill, and the opening of the Clark Center in 2014. Conforti, who edited the recent book Ando and Le Corbusier, will share many of the fascinating behind-the-scenes stories of the Clark project.
 
Free. Accessible seats available; for information, call 413 458 0524. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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