Clark Art Presents Performance By Ximena Bedoya

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WILLIAMSTOWN, Mass. — The Clark Art Institute presents a performance on Sunday, July 14 at 4 pm by Ximena Bedoya, an interdisciplinary artist and designer from Peru. 
 
This free performance takes place in the Clark's auditorium, located in the Manton Research Center.
 
According to a press release:
 
Currently based in New York, Bedoya explores transitional states of mind, body, and space through audiovisual experiences. Her work teaches viewers to embrace life's fluctuating moments. Bedoya is half of Lobby Art Editions, a record and cassette label with roots in Western Massachusetts. She received an MFA in Applied Craft & Design from the Pacific Northwest College of Art in Portland.
 
LOCULUS opens. A dance collective founded in 2015 in Western Massachusetts, LOCULUS is the creative platform of Olana Flynn and Madison Palffy.
 
Free. Accessible seats available; for information, call 413 458 0524. This program is presented in collaboration with Belltower Records, North Adams, Massachusetts. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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