Clark Art Presents Opera Lafayette and Ariana Wehr

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WILLIAMSTOWN, Mass. — On Wednesday, June 26, the Clark Art Institute presents a free classical concert on the career and repertoire of the famous eighteenth-century soprano Minette by musicians of Opera Lafayette and soprano Arian Wehr. 
 
Presented in conjunction with the exhibition Guillaume Lethière, the free concert takes place on the Clark's reflecting pool lawn at 6 pm.
 
According to a press release:
 
One of the great stars of theatrical life in colonial Saint-Domingue in the 1780s, the soprano Minette was unlike almost all the actors and actresses of that time in that she was a woman of African descent. The title of Marie Chauvet's novel about Minette, Dancing on a Volcano, aptly suggests the tensions swirling around this contemporary of artist Guillaume Lethière and composer Joseph Bologne, the Chevalier de Saint-George.
 
Brazilian-American soprano Ariana Wehr joins musicians of Opera Lafayette to present music from the operas of Gluck, Philidor, Grétry, and others (which Minette performed in the years leading up to the Haitian Revolution), as well as music from the Chevalier de Saint-George.
 
Free. For accessibility concerns, call 413 458 0524. Bring a picnic and your own seating. Rain moves the event to the auditorium, located in the Manton Research Center.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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