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College officials dig in for the groundbreaking of the Kleefeld Arts Center on Wednesday.
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Casey Pease, left, Timothy Cherubini, President Jamie Birge, Georgia Freedman-Harvey, Buffy Lord and Murdock.
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MCLA 'Groundbreaking' Kicks Off Construction of Kleefeld Arts Center

By Tammy DanielsiBerkshires Staff
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Theater professor Jeremy Winchester holds the phone so Patricia Holt can get in the picture. He and Jerome Socolof, right, chair of the Arts Management Department, were involved in the center's design.
 
NORTH ADAMS, Mass. — College officials say the planned Campagna Kleefeld Center for Creativity in the Arts will have a transformative effect on Massachusetts College of Liberal Art.
 
The center, funded in large part by California artist and writer Carolyn Kleefeld, will stand at the corner of Church and Porter Street and across from the college's Church Street Center.
 
"This has been a three-year collaborative effort among people who love art, love MCLA and who love the enduring promise of creativity and innovation as a foundation to advancing the best of society and liberal arts education," said President Jamie Birge at Wednesday's ceremonial groundbreaking. 
 
"We would not be gathered here today absent the vision and generosity of Carolyn Kleefeld. Carolyn's generative thinking, coupled with her philanthropic ethic, brought us together to envision a space that will allow MCLA students and faculty to experiment with that pedagogy and disciplinary creativity. I think this project is one of the most exciting of my time here."
 
The London-born contemporary artist grew up in California and studied art and psychology at the University of California at Los Angeles. She has written 25 books of on poetry, art and reflection. Her work has been exhibited nationally and featured in a line of fine art cards.  
 
The arts center proposal hasn't been without some pushback, with some questioning Kleefeld's intentions — the building will host rotating exhibits of her artworks and poetry as part of its curriculum — and the long-term programming and maintenance costs. Kleefeld's gift will be used to sustain the center for at least three years. 
 
College officials have described the center as a "dynamic and flexible space" for student artists to showcase in-progress and completed work, supported by peer and faculty critiques. It will house the Alma Benedetti Teaching Artists-in-Residence (named for the 1937 alum and longtime North Adams art teacher) and student artists-in-residence.
 
The building will take the place of Gallery 51 that the college has operated on Main Street for two decades.
 
"I'm thankful to her for recognizing the role of MCLA in our community and the importance of a liberal arts education. This project is a testament to her vision and aligns perfectly with the mission of MCLA," said Board of Trustees Chair Buffy Lord.
 
The gift, suggested at nearly $10 million, and planning have been through the Massachusetts College of Liberal Arts Foundation Inc. and Birge pointed to foundation Chair Timothy Cherubini, Lord and past trustees chair Mohan Boodram for their advocacy. He also acknowledged the efforts of the Fine and Performing Arts Department in the center's design and development.
 
"A project like this benefits from multiple perspectives, a truly liberal arts effort. I'm glad to say that the inputs, ideas and ideals they offer underpin our commitment to elevate the nature of youth and broad learning at a liberal arts college," said Birge. 
 
State Sen. Paul Mark's Director of Communications Casey Pease congratulated the college and Kleefeld's generosity, saying, "the Kleefeld Center will stand as both a cultural landmark and a teaching laboratory, a space where students, artists and the community can collaborate and bring new ideas to life. ...
 
"I think in this moment, we can all agree, at this moment in history, when so much feels divided and uncertain and sometimes even bleak, that investing in the arts could not be more important."
 
Kleefeld was not able to attend the groundbreaking and was represented by fellow artist and curator Georgia Freedman-Harvey, as well as her friend and artist Patricia Holt, who participated via Facebook. 
 
The 7,000-square-foot center will require the demolition of 94 and 100 Porter St., former single-family residences that have been utilized for MCLA office space for years. Their razing has been approved by the Historical Commission but Robert Ziomek, vice president for institutional advancement, said if some of the original bricks from the old Mark Hopkins School are found they will be put to some use and plaques will be installed about notable residents and an acknowledgement that it had been the Stockbridge-Munsee nation's land.
 
Demolition is expected to be completed in March with construction to follow. The art center is set expected open in September 2027. Jones Whitsett Architects is the designer and Skanska is the general contractor. 
 
Birge, Cherubini, Freedman-Harvey, Lord, and Pease donned blue hardhats and dug into a pile of dirt with bright silver shovels — with Murdock the mountain lion and Ziomek overseeing the work. 
 
The artist sees the center as an artistic awakening, a pebble in creating ripples in a pond, said Freedman-Harvey, reading from a statement by Kleefeld. "My wish is to give MCLA the opportunity to expand the arts curriculum, including the development of a multidisciplinary approach to learning and further fostering originality and freedom and artistic expression."
 
It will be a springboard to creativity and add to the enrichment of "the vibrant arts community in North Adams and the surrounding areas," she wrote. 

Tags: arts center,   groundbreaking,   MCLA,   

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North Adams Airport Commissioners Review Badge Policy

By Jack GuerinoiBerkshires Staff
NORTH ADAMS, Mass. — The Airport Commission will rethink its badge policy after a discussion with airport users who shared their grievances regarding the current system.
 
The commissioners voted last week to approve a new fee structure for the airport — minus badge fees — as they hope to continue their discussion and craft a policy that creates fewer barriers for airport users.
 
Three years ago, former manager Bruce Goff was charged with cleaning up the badge system. At the time, it was unknown how many badges were in circulation; some airport users had multiple badges, while others had moved away or passed away.
 
Badges are required to access the airside of the airport. Under the current rules, all new badges were set to expire in three years, leaving airport users currently scrambling to obtain new ones. This process comes with a $50 fee.
 
Airport user and former commissioner Trevor Gilman said the sticking point for him was not the price, but the automatic shutdown of the badges upon expiration, as well as the process by which users must obtain brand-new physical cards.
 
"Why change out a badge for the same person? They are perfectly good badges. It is not the cost, it is the process. All of a sudden my badge expired and I can't get in. It takes forever to get one from the state," Gilman said. "If you lose a badge, certainly you should have to buy a new one because there is a cost. That is not the problem; it is the process."
 
He said other airports do not have expiration dates on their badges, adding that he has held one from another airport for 10 years. Gilman argued there should be no barriers to users obtaining a badge, suggesting that higher badge adoption allows the city to better track airport activity.
 
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